Saturday, January 25, 2020

Skakespeare and his style of writing Essay -- William Shakespeare

Shakespeare’s plays are a product of the Elizabethan theatrical context in which they were first performed. A lot of pressure was put on Shakespeare as he wrote his plays because he was not allowed to upset the royal family. His style would have been different than others in those times and a lot more thought has gone into his writing than people listening would think. Usually, the audience take for granted the cleverness and thought of Shakespeare’s writing, however, now we have studied and gone into great detail about Shakespeare’s writing, we can appreciate it more than they did: The Globe Theatre was where Shakespeare had most of his plays performed. It had many decorations to make it look appealing and to try and to make it seem expensive and luxurious. The Globe Theatre was built in just 6 months between 1597 and 1598 just outside central London. The Thames River separated it from St Paul’s cathedral. The Globe was made in a round circular shape. This meant that at least one actor would have their back to the audience, however, this would not have mattered because the audience came mainly to hear the play – not to see it. When you were buying a seat for the theatre, the most expensive seats would not be the ones with the best view, they would be the closest ones in order to hear better. Also, these seats would be facing towards the audience, which means that everyone would see them, meaning fame. The Globe would usually be packed with decorations and ornaments. These would have nothing to do with the play, it was used to make the theatre look more attractive/expensive. Lots of people would come to see the plays. They would do this because Shakespeare’s plays were not published at that time so the public would want to see it... ...re can’t stop, Lodovico says â€Å"What, not to pray?† (Really important to pray because religion is coming back). Then Cassio says â€Å"Most heathenish† (outside of religion now, oh no!) Examples of bringing back power in Act Five Scene Two are: Montano says, â€Å"Come guard the door without, let him not pass† showing that now he is in charge. Then Lodovico says â€Å"And Cassio rules in Cyprus.† telling everyone in other words that he has authority and he is in charge. Royalty always has to come back and take over otherwise the royals in real life could get offended. We can now see the relation between the ending of Hamlet, and the ending of Othello. They both end with royalty coming back into power and everything returns back to the way it should be. This is how Shakespeare’s plays are a product of the Elizabethan theatrical context in which they were first performed.

Friday, January 17, 2020

Cultural Globalisation Through Japanese Culture

Cultural globalization is the rapid traversing of ideas, foreign influences, technologies, spread of language, markets and values across national borders. It not only increases freedom of choice, but also revitalizes cultures and cultural artifacts through interconnectedness and interaction between peoples of diverse cultures and ways of life. In the article â€Å"Japanese Popular Culture† by Nissim Otmazgin explores the dissemination of Japanese culture products throughout East and Southeast Asia by various modes and analyses the expansion of popular culture through Steger readings. Does globalization make people around the world sameness or differences in global culture? One effect is that it promotes greater cultural homogeneity. Sometimes common demands, common consumer preferences, and large bodies of common information can lead to the blending of cultures and the erosion of cultural differences. It is a myth that globalization involves the imposition of cultural uniformity, rather than an explosion of cultural exchange. But, cross-cultural exchange can spread greater diversity as well as greater similarity. People everywhere have more choice, but they often choose similar things. For instance, Amazonian Indians wearing Nike shoes, denizens of Southern Sahara purchase Yankees baseball caps, Palestinian youths displays Chicago Bulls sweatshirts in Ramallah and eating fast-foods at Mc Donald’s ( Steger, 73) shows thriving of American products in a large scale. These worries cultural pessimists as well as optimistic hyperglobalizers that â€Å"the rise of an increasingly homogenized popular culture under Western culture industry† ( Steger, 72). It seems that local cultures and national identities are dissolving into a crass of American consumerism. That cultural imperialism is said to impose American values as well as products, promote the commercial at the expense of business profits, and substitute superficial pleasure for deeper satisfaction. People’s culture in the sense of their shared ideas, beliefs, knowledge, inherited traditions and art may hardly be eroded by mere commercial artifacts. The profound cultural changes have little to do with Western ideas. Sociologist Roland Robertson points out that â€Å"global cultural flows reinvigorate local cultural niches† (Steger, 77) resulting ‘cultural hybridity’ increases diversity within societies – but at the expense of making them more alike. It is noted from the article that the introduction of Japanese culture in East and Southeast Asia in an unprecedented scale is due to â€Å"Asian fragrance† which resonates with the local consumers (Otmazgin, 2). For example, Japanese television dramas and animations – Hello Kitty, Ampan Man and Poke’ mon are seen everywhere in the Asian city. In this way, Japanese popular culture is gradually adapted and incorporated into local popular culture through translation. Iwao Sumiko concludes that â€Å"Japanese popular culture products represent ‘modern’ ideas that consumers strategically choose† (Otmazgin, 3). This believes that globalization is not â€Å"globalizing† western culture and western cultural icons. Therefore, Asian people no longer consume â€Å"the West†, but rather a Japanese–indigenized or hybridized product (Otmazgin, 3); reinforcing the concept of local as mediated of ‘global culture’ and foreign influences as mediator to ‘global culture’. Does globalization make national identity in global culture extinct? It’s hardly. Individual choice is fragmenting the imposed uniformity of national cultures. New hybrid cultures are emerging, and regional ones re-emerging. National identity is not disappearing, but the bonds of nationality are loosening and â€Å"they continually shape and reshape cultural scenes and lifestyles† (Otmazgin, 8). By and large, people choose the new ways because they are more relevant to their needs and new opportunities. Let’s consider an example of interpenetration of cultures from music, television and language products. In television, MTV in Asia promotes Thai pop stars and play rock music of various artists and bands from different countries that are sung in Mandarin. â€Å"The television and music production favors localizing content and broadcasting in Asian languages, creating new cultural genres and introducing local as well as international pop music to its audiences† (Otmazgin, 10). Countries like Hong Kong, Seoul, Shanghai watch Japanese, Korean and Chinese dramas, read cosmic books and animation series that are translated or in the original language. If these individual people choose to watch different cultural products that doesn’t mean they lose their collective national identity. These cultural forces can rapidly become domesticated, changing national and socio cultural styles, but not destroying it. Another example around the globe: English language. Language is often at the heart of national culture and a common global language would certainly be a big plus. English is considered as â€Å"internationalization† comp atible with diverse languages. Since not all languages use the same alphabet, one goal is to get a standard based. Because of English, many other languages are becoming extinct is not true. Nowadays, the internet has given all its users the ability to speak and write to people from vastly different cultures and languages. Therefore, globalization promotes true ‘global community’ that supersedes the concept of state or country, and language become ‘glocalized’ as well as more diversified so as to cater to different tastes. Likewise, the growth of a music industry, under exposure to foreign influences, has not led to the extinction of regional music, for instance the lyrics are in Japanese and the music follows Western pop/rock standards. The upshot of all this change is that national cultures are fragmenting into a kaleidoscope of different ones. New hybrid cultures are emerging. Regional cultures are reviving. Individuals are forming new communities, linked by shared interests and passions that cut across national borders emphasis on universal homogenization.

Thursday, January 9, 2020

Social Networking Sites Are Good Or Bad For Our Society

Social Aspect Online social networking sites have become increasingly popular over the past few years. The usage of Facebook, Twitter, Instagram, Snapchat, and LinkedIn has more than multiplied from 2005 to 2015. Having access to these social media sites allows the users to create profiles, share their interests, communicate with family, friends, and strangers, share thoughts, photos, videos, and much more. There is a huge question if these different social networking sites are good or bad for our society. While some argue that there are serious dangers of social media such as; social disorder, social isolation, long term mental health issues, and invasion of privacy. Others can argue that it increases communication with friends and family while familiarizing people with valuable computer skills and allowing contact with people from around the world. 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